AVID to FCP and FCP to AIVD part-2

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AVID to FCP and FCP to AIVD part 2

AVID to FCP and FCP to AVID Part-1

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  AVID to FCP and FCP to AVIDhis is Part 1 of a 2 part presentation by Wes Plate of Automatic Duck on their family of Import/Export plugins for Final Cut Pro. AVID to FCP and FCP to AVID

Avid Media Composer & Final Cut Pro X trimming demonstration and comparison

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Avid Media Composer & Final Cut Pro X trimming demonstration and comparison Avid Media Composer & Final Cut Pro X This is part one of a two part comparison between the trimming tools and trimming modes in...

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Fixed vs. Elastic Keyframes in Avid Media Composer

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Fixed vs. Elastic Keyframes in Avid Media Composer – EVF Tutorial This tutorial teaches you the difference between fixed keyframes and elastic keyframes in Avid Media Composer. We’ll use an example clip with a 3D W...

Media Composer 8.6 How To Use Link/AMA Link – The Source Browser

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Media Composer 8.6+ - How To Use Link/AMA Link - The Source Browser Media Composer 8.6 introduced a change in the way we use Link to add clips to our bin. If you have been a Media Composer user for awhile you will ...

Advanced Colour Correction with Media Composer and Baselight for Avid

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Advanced Colour Correction with Media Composer and Baselight for Avid

Fixed vs. Elastic Keyframes in Avid Media Composer

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Fixed vs. Elastic Keyframes in Avid Media Composer – EVF Tutorial This tutorial teaches you the difference between fixed keyframes and elastic keyframes in Avid Media Composer. We’ll use an example clip with a 3D W...

Fixed vs. Elastic Keyframes in Avid Media Composer

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Fixed vs. Elastic Keyframes in Avid Media Composer – EVF Tutorial This tutorial teaches you the difference between fixed keyframes and elastic keyframes in Avid Media Composer. We’ll use an example clip with a 3D W...

Fixed vs. Elastic Keyframes in Avid Media Composer

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Fixed vs. Elastic Keyframes in Avid Media Composer – EVF Tutorial This tutorial teaches you the difference between fixed keyframes and elastic keyframes in Avid Media Composer. We’ll use an example clip with a 3D W...

Watch “Get Started Fast with NewBlue Titler Pro for Media Composer | Episode 4″

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Watch "Get Started Fast with NewBlue Titler Pro for Media Composer | Episode 4"

Advanced Colour Correction with Media Composer and Baselight for Avid

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Advanced Colour Correction with Media Composer and Baselight for Avid

How to get the best Color Correction with Avid Media Composer

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How to get the best Color Correction with Avid Media Composer This tutorial demonstrates how to leverage Avid's powerful and efficient color correction by working in Color Correction mode, which allows you quick ac...

ColorFast in Avid Media Composer Webinar

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 NBFX ColorFast Avid Media in Composer Webinar - Color Reinvented

Watch “Get Started Fast with NewBlue Titler Pro for Media Composer | Episode 4″

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Watch "Get Started Fast with NewBlue Titler Pro for Media Composer | Episode 4"

Get Started Fast with NewBlue Titler Pro for Media Composer | Episode 3

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Get Started Fast with NewBlue Titler Pro for Media Composer | Episode 3 In this tutorial you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. Discover the simplicity of: • Adding...

Titler Pro for Media Composer End Credits | Tutorial

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Titler Pro for Media Composer End Credits | Tutorial Learn how you can create professional end credits in Avid Media Composer in just seconds using Titler Pro 3. This innovative w...

How to Multigroup in Avid: The Ultimate Tutorial

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Published on 15 May 2014 Here is the link to the corresponding written tutorial: http://willblanksblog.blogspot.com/20... Here is a link to the video/audio example files to follow along with: https://dl.dropboxus...

Media Composer® 7 ‒ Multicam Editing ‒ Avid®

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In this video, Jon Christenson will show you the basics of multicam editing. Media Composer 7 Survival Guide Video Series is proudly presented by Avid Support. The series covers basic troubleshooting, how-to, softw...

Avid Media Composer Multi Camera Editing

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Learn the basics of avid media composer multi camera editing.

Advanced Colour Correction with Media Composer and Baselight for Avid

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Advanced Colour Correction with Media Composer and Baselight for Avid

How to Create a Custom Grunge Textured Background in Avid Media Composer | Sapphire

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How to Create a Grunge Texture Overlay in Avid Media Composer Without Plugins | Sapphire

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How to Create a Grunge Texture Overlay in Avid Media Composer Without Plugins | Sapphire Learn how to composite grungy stock footage with S_Layer in this detailed tutorial. Make your own videos more interesting and e...

Boris Red(Avid FX)Advanced Text Fill Options

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  Boris Red(Avid FX)Advanced Text Fill Options Based on an inquiry regarding gradient on text in the Avid forum, Senior Product Manager, Dirk deJong, shows you how to add gradient with bevel and 3D looks acro...

Boris TV, Episode 152: Import & Manipulate Subtitles in Avid FX/Boris RED

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Published on 13 Jun 2014 Douglas Bruce of Gaijin-Eyes relies on the flexibility and control of Avid FX/Boris RED when using subtitles. Learn how to format your subtitles properly, import, and change the look,, st...

Let’s Edit with Media Composer – ADVANCED – DaVinci Resolve Roundtripping

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Let's Edit with Media Composer - ADVANCED - DaVinci Resolve Roundtripping

Media Composer 101 – Advanced – 4K Workflows in avid Part 3: DaVinci Resolve Roundtripping

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Media Composer 101 - Advanced - 4K Workflows in avid Part 3: DaVinci Resolve Roundtripping In this lesson, Kevin P McAuliffe wraps up his introductory look at 4K workflows inside of Avid Media Composer by showi...

Avid Media Composer Tutorial | Convert H.264 to Apple ProRes 422 HQ

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Learn how to convert H.264 video clips shot on digital / DSLR cameras to Apple ProRes 422 HQ in Avid Media Composer 7. Download the full version at http://www.getgoingtraining.com

Round Trip Between Avid Media Composer and Davinci Resolve

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A small boy discovers an efficient way to move seamlessly between Avid and Resolve, and heals a nation.

AAF Conform Workflow in Smoke 2013

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AAF Conform Workflow in Smoke 2013 f you are new to Autodesk Smoke 2013, follow the movies in this Getting Started playlist and learn the basics. Topics include project creation, media management, editing, timeline...

Applying LUTs to Alexa Footage in Avid and Resolve

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Applying LUTs to Log Footage in FCP, Premiere, Avid and Resolve | CineTechnica. Applying LUTs to Log Footage in FCP, Premiere, Avid and Resolve posted by Andy Shipsides Topics Arri, Blackmagic Design, Canon, Fe...

DaVinci Resolve Workflows by Oliver Peters

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Blackmagic Design’s purchase of DaVinci Systems put a world class color grading solution into the hands of every video professional. With Resolve 9, DaVinci sports a better user interface that makes it easy to run...

How to Shoot Slow Motion at Varispeed Framerates with RED Epic

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Shooting with RED Epic #8: How to Shoot Slow Motion at Varispeed Framerates How to Shoot High Speed Footage on RED Epic Creative Commons License photo credit: Nina Matthews From our ongoing exploration of 1...

Media Composer® 6 – Building ProRes Pipelines

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You may have heard about the ways in which Media Composer can save you copious amounts of time in the editing suite. Now we'd like to show you Media Composer/FCP double agents—and those looking to expand your wo...

FCP TO AVID

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FCP TO AVID Pro Export FCP 4.05: FCP to MC AMA relink Export an AAF file from Final Cut Pro through Pro Export FCP 4.05 and import it into Media Composer 5.0.3 then relink to QuickTime media that was linked to via...

FCP to Avid

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  FCP TO AVID Get your FCP Project & Media into Avid without any transcoding via Automatic Duck and Avid AMA

Media Composer 6 ‒ ARRI ALEXA and DNxHD File Support

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Media Composer 6 ‒ ARRI ALEXA and DNxHD File Support ARRI's line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras are able...

AVID P2 Workflow Part 2

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-Protecting P2 Assets -Outputting P2 Media from Media Composer Media Composer, frequently referred to as "The Avid", is a type of computer software application known as a Non-linear editing system (NLE). It is the...

AVID P2 Workflow Part 1

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p2 workflow avid Introduction to P2 Workflow -P2 Frame Rate & Format Media Composer, frequently referred to as "The Avid", is a type of computer software application known as a Non-linear editing system (NLE)...

XDCAM HD Workflow Using Avid AMA

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XDCAM HD Workflow Using Avid AMA Sony Electronics Inc. Avid Media Access, or AMA, is a plug-in architecture that allows the user to link clips from a third-party volume into a bin without storing the media direc...

Working with Stereoscopic 3D Features in Media Composer

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Working with Stereoscopic 3D Features in Media Composer Welcome to Working with Stereoscopic 3D Features in Media Composer 6. We live in a 3D world, and a new renaissance of stereoscopic cinematography is attemp...

Avid Media Composer/Symphony 6 Canon DSLR Complete Workflow 12min Guide

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Avid Media Composer/Symphony 6 Canon DSLR Complete Workflow 12min Guide Works for all Canon DSLRs. I'm using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, ...

RED Camera Workflow Guide for Avid Media Composer/Symphony 6

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Works with RED One, RED MX, and RED EPIC files up to 5K. Does not work with HDRx. Scarlet support coming soon. Make sure to download the RED plugin from Avid's website. It's required for this workflow: avid.com/U...

Canon C300 in Avid Media Composer 6.0.1

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Canon C300 in Avid Media Composer 6.0.1 A very basic run through of Canon C300 AMA linking into Avid Media Composer 6.0.1